Armando Braswell is an American dance artist, educator, choreographer, and arts leader based in Basel, Switzerland. Born and raised in Brooklyn, New York, he trained at LaGuardia High School for the Performing Arts before continuing his studies at The Juilliard School, where he earned a Bachelor of Fine Arts in Dance in 2006. During his early career in New York City, he performed as a soloist with the Metropolitan Opera Ballet.

In 2006, Armando relocated to Europe, beginning a professional performance career with Ballet Theater Munich in Germany. He later became a founding member of Gauthier Dance at Theaterhaus Stuttgart before joining Ballett Theater Basel in Switzerland, where he danced as a soloist for seven seasons. His repertory spans contemporary and modern works by internationally recognized choreographers and reflects a deep engagement with both classical and experimental movement practices.

Alongside his performing career, Armando has built a strong international reputation as an international dance educator. He has taught and coached pre-professional and professional dancers at leading institutions including The Ailey School, the School of American Ballet, the Royal Swedish Ballet School, the Prix de Lausanne, and Tanz Akademie Zürich, where he served as Professor of Contemporary Dance. His teaching focuses on artistic development, accountability, and preparing dancers for sustainable professional careers.

In 2017, Armando co-founded the Braswell Arts Center in Basel together with his wife, Lisa Braswell. The center functions as a hub for dance training, artistic creation, and interdisciplinary collaboration. In 2019, they established the Braswell Arts Association, a non-profit organization dedicated to supporting emerging and established artists through education, exchange, and community engagement.

Deeply committed to accessibility and outreach, Armando has led numerous community programs, cultural exchanges, and educational initiatives in Europe and the United States. Through his artistic, educational, and institutional work, he continues to advocate for inclusive, forward-thinking approaches to dance and the performing arts.

Photo by Carmen Wong Fisch. 2nd Photo by Mark Mann.